Begüm TUĞLU ATAMER

Edebiyat Fakültesi, İngiliz Dili Ve Edebiyatı Bölümü, İngiliz Dili Ve Edebiyatı Anabilim Dalı

Research areas: Social Sciences and Humanities, Western Languages and Literatures, Philology, English Language and Literature, Comparative Literature, Radio, Cinema and Television, Linguistics, American Culture and Literature

Publications

• Language Games and Fallacies of Psychoanalysis in Iris Murdoch’s The Black Prince (2026)
• Graphic novels as potential actors to increase gender-based violence awareness in the English literature classroom (2026)
• The Making of a Moral Woman: Literary Aesthetics in Susan Ertz's The Philosopher's Daughter and Tezer Ozlu's Cold Nights of Childhood (2025)
• Exploring the Aesthetics of Survival through Subjective Morality in Toni Morrison's Beloved and Sevgi Soysal's Dawn (2025)
• Nautical Narratives (2025)
• Catching Tides, Riding Waves (2025)
• “TOUCHING UPON THE DESSERTS OF BOHEMIA:” THE SYMBOLIC SEA COAST IN WILLIAM SHAKESPEARE’S THE WINTER’S TALE (2025)
• Exploring Murdochian Space: Narrative Space as Grounds for Moral Goodness in Iris Murdoch’s The Bell 1 (2025)
• The Truth(s) of Western Civilization in Julian Barnes’ A History of the World in 10 ½ Chapters (2024)
• The Lens and the Brush: Visual Arts as Mediums of Hegemonic Gaze in John Fowles’ The Collector (2024)
• The Rhetorical Potential of Graphic Novels to Increase Gender- based Violence Awareness in the Classroom (2024)
• Dorian’ın Gölgeleri: Viktoryen İngiltere’den Hollywood Amerika’sına Dorian Gray’in Ahlaki İzdüşümleri (2024)
• ABSTRACT MACHINES IN J. G. BALLARD’S HIGH-RISE (2023)
• WHO IS TO BLAME?: JUSTIFYING VIOLENCE IN TITUS ANDRONICUS (2023)
• Writing on Water: Being in Iris Murdoch’s The Sea, The Sea (2023)
• Exposing Saints, Atoning Sinners: Redefining the Role of Space on Moral Goodness in Iris Murdoch"s The Bell (2023)
• The Truth(s) of Western Civilization in Julian Barnes’ A History of the World in 10 1⁄2 Chapters (2022)
• The Survival of the Richest in J. G. Ballard’s High-Rise (2022)
• Who is to Blame?: Justifying Violence in Titus Andronicus (2021)
• “Far From the Madding Crowd Closer to the Truth of Being an Individual” (2019)
• Ruling the Odd King Out: Political Reflections of Nature and Culture in King James’xx Daemonologie (2019)
• Unveiling the Horrors of Desire in Matthew Gregory Lewis’ TheMonk (2018)
• Languages, Cultures, and Gender (2017)
• Gender Representations and Animal Imagery in D.H. Lawrence’xxs ”The Prussian Officer” (2017)
• Words will Never Hurt me: Standing Still at the Crossroads of Language, Culture, and Gender (2017)
• ”Save Me From the Nothing I’ve Become”: Memory, Existentialism and Beckett’s Echo’s Bones (2017)
• Bodies Re Gained Gender and Identity in Elif Shafak s Pinhan and Virginia Woolf s Orlando (2016)
• Gender Representations and Animal Imagery in D H Lawrence s The Prussian Officer (2016)
• Playing Beckett’s Endgame with Derrida’s Rules: Mythicizing the Second World War (2016)
• From Culturazing Nature to Naturalizing Culture The Differing Function of Animal Imagery in Defining Bodies From Homer s Odysseus to Margaret Atwood s The Penolopiad (2016)
• Identities in The Tempest Tempests in Identities (2016)
• Transnational Identities and Imaginary Lands (2016)
• Bodies Re Gained Gender and Identity in Elif Shafak s Pinhan and Virginia Woolf s Orlando (2016)
• From Culturazing Nature to Naturalizing Culture The Differing Function of Animal Imagery in Defining Bodies From Homer s Odysseus to Margaret Atwood s The Penolopiad (2016)
• Playing Beckett s Endgame with Derrida s Rules Mythicizing the Second World War (2014)

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