OĞUZ ATAY’IN TUTUNAMAYANLAR ESERİNDE BAŞKİŞİLERİN ÖZNELLİK ARAYIŞI

Articles > Article · 2020

Authors: Hatice BAKANLAR MUTLU

Dokuz Eylül Üniversitesi Edebiyat Fakültesi Dergisi, National Refreed University Journal, National, MLA International Bibliography, 2020, vol 7, pp 45-62

Summary

<p><font color="#333333" face="Helvetica Neue, Helvetica, Arial, sans-serif"><span style="font-size: 12.6px;">The purpose of this study is to analyse the concepts of subject and subjectivity&nbsp;</span></font><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">focusing on Selim Işık and Turgut Özben, who could both be positioned as the&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">protagonists of Oğuz Atay’s <i>Tutunamayanlar</i>. These two characters are compared in&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">terms of their experience of subjectivity referring to the Foucauldian concepts of&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">subject and power and Althusserian concepts of subject and ideology. This study&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">basically discusses how free the characters really are in their search of subjectivity.&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">This study argues that Turgut Özben was subjected to Foucauldian power until&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">Selim Işık’s death and never attempted at a quest for subjectivity as a subject&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">responsible for his own deeds. Selim Işık, however, is claimed to have set out on a&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">quest for his own subjectivity. Özben does not get out of the ideology he is born into&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">whereas Işık prefers to question it at the expense of his life. This study discusses the&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">possibility of subjectivity considering Turgut Özben’s insanity and Selim Işık’s&nbsp;</span><span style="font-size: 12.6px; color: rgb(51, 51, 51); font-family: &quot;Helvetica Neue&quot;, Helvetica, Arial, sans-serif;">suicide.</span></p>

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