Death and Anxiety in Murathan Mungan’s Story “Sır Katibi”
Conference paper > Full Text · 2026
Authors: Fatıma ERTÜRK
Söylem 5. Uluslararası Filoloji Sempozyumu, Türkiye, Isparta, International, Verbal, Full Text, 2026-2026, pp 373-383
Summary
<p class="ql-align-justify">This paper aims to examine Murathan Mungan’s story “Sır Kâtibi” within the framework of Lacan’s “Borromean knots” and Heidegger’s concept of “anxiety.” Centered on the phenomenon of nothingness after death, this story is built around the fact that people, despite knowing that nothing remains after death, are unable to confront this harsh reality and instead keep it a secret. In the story, people’s tendency to turn a blind eye to the nothingness beyond death will first be addressed within the context of the “passion for ignorance” in Lacanian psychoanalysis. In this vein, the story’s conceptual backdrop will be analyzed through Lacan’s theory of “Borromean knots”. It will be argued that the unrepresentable and unbearable nature of death corresponds to the traumatic “Real”; and that the secrets people produce to endure this serve as an “imaginary” shield that covers up and gives meaning to the aforementioned harsh reality. In addition to a psychoanalytic reading, the existential turmoil humans experience in the face of nothingness will be examined through Heidegger’s concept of “anxiety”. In the story, people’s inability to endure the absolute nothingness following death will be evaluated through the lens of the turmoil created by this sense of objectless unease. The efforts to transform this anxiety of nothingness -which is difficult to confront- into a manageable object of fear by turning it into a secret will be discussed. Consequently, this paper will examine how individuals construct new narratives of meaning and veils of secrecy to cope with existential anxiety and the horror of nothingness, based on the reality that humans cannot tolerate the emptiness of the “bare scenario” brought about by death. The study aims to explore the defense mechanisms underlying this “unbearable” condition expressed in the story through a text-focused and interdisciplinary approach.</p>